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July 31, 2010

What is Reality in Physics?

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Reality used to be a concept dealt with by philosophy and not science. This was changed by Galileo, when he divided physical phenomena into two classes. The first of these, what he called the “primary qualities”, were suitable for scientific treatment and analysis, because they did not depend on the presence of a person. This independent existence freed them from the vagaries of individual observations Such subjective observations could be affected by health, ability to concentrate and a host of other personal factors, which affected the “secondary qualities” and made them unfit for scientific study. These secondary qualities did require the presence of a person and applied, in Galileo’s opinion, to all observations made by the senses of smell, touch, hearing and taste.

Galileo’s primary qualities were very few in number and Rene Descartes later reduced them to just two, matter and motion. These qualities were independent of people. Their reality was therefore objective. On the other hand, the secondary qualities, which needed the presence of a person to register them through the senses mentioned, were subjective. These two realities, subjective and objective, were deeply embedded in philosophical traditions, dating back thousands of years to the ancient Greeks and beyond. In these philosophies, all physical phenomena in our world of nature, which needed our senses for their perception, were of merely subjective reality. This reality was considered very inferior to the objective reality of the divine world, which of course was beyond the direct perception of our ordinary senses and thus also beyond the need of our human presence to exist. This divine world was not just a world of religious belief in these philosophies. It was a world of real existence and the realm of all “true” knowledge. It could be accessed by people specially trained for such contact, such as oracles, seers and mystics.

Galileo’s revolutionary thinking can now be fully appreciated. He had the audacity to take the concept of objective reality, as a property of the divine world only, and tack it on to his two primary qualities of matter and motion, which were properties of the lowly world of nature. Matter and motion were now the exclusive subjects of his new science, physics. They formed the basis of all Newton’s great synthesis of natural laws. They were the foundation concepts of a philosophy, scientific determinism, and of a model of the world that ruled physics until the 1920s, when it had to be abandoned.

The consequences of Galileo’s actions in these matters were quite extraordinary and have lasted to this day. While he himself was careful to limit objective reality to only his two primary qualities of matter and motion, as time went on scientists began to treat all natural phenomena, perceived by all our senses, as having an independent existence of their own. This allowed them to postulate that the history of nature was quite independent of the history of man, so that it could be extrapolated to the earliest periods of this earth’s existence, long before the appearance on the scene of man. It may seem extraordinary to us today, but this method of perceiving the geological history of the world is no older than Galileo. Before him, at least in Christian times, the world started in 4004 BC. There was also another consequence. This independent matter was now perceived as the primal substance, from which everything else that has appeared on earth, such as life, feeling and consciousness, has evolved by means of purely natural, random processes.

Objective reality disappeared from physics in the 1920s, when scientific determinism, based on the total predictability of cause and effect, had to be abandoned as it no longer represented the facts discovered by the new branches of physics, especially quantum mechanics, which required the inclusion of Heisenberg’s Principle of Uncertainty. For the last eighty or more years, therefore, physics has operated on the basis of subjective reality only. It no longer recognizes Galileo’s division of natural phenomena into two classes: for modern physics, all perceived natural phenomena are of a subjective nature, because they require the apparatus of our senses. Galileo’s attempt to make some “qualities” of matter objective has simply been ignored by modern physics, which is not interested in philosophical errors of hundreds of years ago. As the divine world was eliminated by science, so its objective reality has also been removed. In this, modern physics has recognized that Galileo made a fundamental error when saying that his primary qualities did not need the presence of a person. Matter and motion still had to be perceived in order to be dealt with by science. The sense of sight was therefore involved and the sense of sight is still a physical sense and thus subjective.

All these developments in physics have left loose ends dangling about. If matter is now no longer considered objective, must we not alter our assumptions about the very early eons of the earth’s existence, before the appearance of man? Philosophically speaking, how does the absence of objective reality affect us in our relationship with nature? If we only accept subjective reality now in our science, does this not mean that we must regard ourselves as the creators of the world? Only to the creator is everything around him subjective, because he himself has created everything! Then again, if matter is merely a subjective appearance, of which we are aware only through our sense perceptions, can it really be the primal, independent substance from which everything else has been derived?

All these musings about the nature of reality are beginning to be important because of recent developments in particle physics. What, for instance, can be said about the reality of a string particle? This particle is defined as the ultimate, irreducible matter particle. It is also defined as having only one dimension, length. Our sense structure is not built to perceive an object of only one dimension anywhere in our physical world. So we cannot call the string particle subjectively real, like other physical phenomena. But if matter is considered to be subjectively real, should not the origin of matter, the ultimate, irreducible particle of matter, also be real? Here again, the absence of objective reality in physics today is becoming a problem.

Subjective reality is becoming interesting to physics in another line of investigation being followed. The old question, posed by Bishop Berkeley and others, about the existence of the world if we are not there to perceive it, can now be investigated scientifically. The results of two such investigations have recently been published, one conducted in Japan and the other in Canada. Both used photons as the particles being observed and then not observed. The last part was achieved mathematically by not completing the procedures under observation. The results in both cases indicate that the world does indeed continue to exist when we are not observing it, but some of the results were nevertheless startling. Some of these photons, which should have been somewhere, simply disappeared. The Japanese experimenter called this result “preposterous”.

Galileo’s Shadow is a book that deals with these conflicting concepts of reality within physics. It suggests a way to reincorporate objective reality back into science, as well as many other problems in physics that are becoming increasingly urgent. One of the aims of the book is to make physics accessible again to a broader audience, where it used to be in the age of Newton, when ordinary educated people could understand its broad concepts even if they were not mathematical geniuses.

Interview With Maryann Davenport, Author of "The Park"

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Maryann Davenport taught school in both cities and rural areas from Chicago to the West Coast, before having children of her own. When she returned to work, away from home, she went into production engineering. Seventeen years ago, she retired from Rockwell to write novels full-time with her husband, Joe. They live in a rural mountain area of California.

Tyler: Thank you, Maryann, for joining me today. To begin, would you tell us briefly what 揟he Park?is about?

Maryann: The main character, Coral Wood, returns to her grandfather抯 ranch in Emerald Valley, California, where she spent her happy childhood summers. She is dismayed to find him worried about losing his ranch to a city club, on the coast, which wants to make Emerald Valley into a public park.

After accepting the job of social studies teacher at the local high school, she meets Mac Maclane, the fiery but very attractive biology teacher. After their stormy meeting, Coral finds herself drawn to Mac and the local landowners call on both of them to help them keep their ranches. While the passion flares between them, their students ask to join in the fight over the valley and the battle is on.

Mac, Coral, and her grandfather struggle to keep the landowners?protests peaceful while a radical member of the Emerald Park Boosters stages protests which goad the landowners. When they attract the attention of a wealthy man, back East, who offers the ranchers a third option, violence flares and a college professor is killed on one of the ranches.

It takes all the efforts of Coral, Mac, their students, forest rangers, and the sheriff抯 deputies to keep the violence from escalating. Meanwhile, Coral can feel a dark threat always one step behind them until she finds herself deep in its clutches and all alone.

Tyler: The conflict between the ranchers who are landowners and the environmentalist group in 揟he Park?opens questions regarding the U.S. Constitution and what the founding fathers intended in terms of property rights and preserving the environment. Why did you decide a novel, rather than a non-fiction book, was the vehicle for bringing these issues to the public抯 attention?

Maryann: I chose the novel form as the best one for presenting landowners?rights vs. environmentalist agendas because it gave me a chance to demonstrate the side issues. I could graphically show how young people feel about each point of view as well as some ideas the older generations overlooked. The novel also allows me to present the radical members, the moderates, and all those in between who inhabit each side of the issue. Basically, I prefer to show reality as I see it, using people I have known, instead of creating clever arguments to push my point of view, the way I would in non-fiction.

Tyler: The main character in 揟he Park?is Coral Wood. She is a teacher who helps the students explore the various viewpoints of the situation in the valley. But she is also the granddaughter of a ranch-owner. Would you say she is really impartial about the situation?

Maryann: I would say Coral struggles to remain impartial in the beginning of the book but soon admits to her bias in favor of the position held by Mac and her grandfather. I wanted to show each character抯 bias. Most of them don抰 admit to their biases.

Tyler: Do you think by showing the characters?biases you made the story realistic? Is that the primary way you made the characters believable?

Maryann: Yes, I do. Private property rights connect to deep personal feelings of self-respect. Those who wish to take control of that land without making it a private purchase must deal with that reality. The Emerald Park Boosters, the environmentalist group, promotes its agenda by using emotionally charged phrases such as 揻or the enjoyment of poor children?or 搕o save all the animals from hunters.?Soon, both sides toss objectivity out the window and the discussions become shouting matches.

Even though I showed the bias caused by emotional issues, my primary device for making the characters more believable was to show the social standing of characters who moved the plot. As their social standing rises or falls, due to events in the land rights battle, we get a clearer picture of each person抯 integrity, or lack of it.

Tyler: Is there a character on the environmentalist side of the issue who is a main character, and if so, how did you present his or her viewpoint?

Maryann: I presented Abby Grunbach, the chairwoman of the Emerald River Park Authority, as a woman who Coral describes as predatory and presumptuous. Abby presents her viewpoint when she shouts at the landowners?meetings, is interviewed on television, and leads protester groups in public.

Tyler: Why did you decide Coral would be a teacher rather than a rancher or some other occupation?

Maryann: I made Coral a teacher because I write about what I have experienced firsthand or observed up close. I started out as a schoolteacher in a country school. I抳e never run a ranch, but I grew up on a couple of them. Also, a teacher in a rural community has a unique opportunity to influence her students and their parents, hopefully in a positive way.

Tyler: What was it like growing up on a ranch? Do you think it was conducive to your later becoming a writer?

Maryann: The ranches in Montana and Oregon, where I lived during my childhood and teen years, showed me a life of hard work, little money, and good-hearted neighbors. I spent most of my time, when not in school or working at the neighbors? with the ranch dog. I only spoke when asked a direct question so I began writing my thoughts in the first grade. It was one of the only two avenues of expression for me, the other one being art. I kept my writing to myself, except for school assignments, until I met my husband at Rockwell. Our first bond was our love of books and our writing. When he retired from Rockwell, he asked me to join him and write novels full time. It抯 the last of the four careers I have had. I enjoyed every one of them, but writing is a dream come true and my favorite.

Tyler: What perspective do you personally hold upon the issue in the book, or are you able to see both sides?

Maryann: Personally, I believe that the only way to solve a problem in a democracy is to have all the groups directly affected by a change, show up at the table. That is where the decisions should be made.

At the same time, I am a capitalist who grew up in farm and ranch areas and a staunch defender of the Bill of Rights of the U.S. Constitution. The Fifth Amendment states that if private property is taken for a public cause then 搄ust compensation?must be made to the landowner. There is nothing in the amendment about the government paying for the land when the legislature gets around to it, sometime in the future. There are also past precedents where the Supreme Court required a government body to pay a landowner if they took action that prevented him from selling his land or borrowing against it.

Tyler: Maryann, I understand the book is also a mystery. Would you tell us a little about the mystery plot?

Maryann: Throughout the book there is an obvious villain and a couple of minor ones. At the same time there is the hint that someone else might be manipulating both the villains and their intended victims. Coral finds herself looking over her shoulder but realizes, too late, that she has become the prime target.

Tyler: Besides being entertained, what do you hope readers will learn from reading 揟he Park?

Maryann: I hope my readers will learn they can have a voice in what happens in their communities but it takes the majority to make good government. Unless most of the people speak up, a small group rules the rest of us and that is a kind of dictatorship, not democracy. We need someone from each group at the table.

Tyler: The American way of life has always been largely focused on individual rights. Do you feel those rights are being threatened more frequently today?

Maryann: Individuals have always had to stand up for their rights or lose them, even in America. However, today too many Americans believe what celebrities on television say. Television only represents what the power people in Hollywood think. Most of us have other points of view as is revealed on the Internet. Our rights are greatly threatened by narrow interest groups. At the same time, we have the opportunity to express ourselves in more ways and more places than ever before.

Tyler: What kinds of reactions have you received so far from readers of the book?

Maryann: Readers who have called or e-mailed me, so far, have been wonderful. Most of them say, 揑t抯 about time somebody talked about what抯 really happening all over this country. At last, rural people have a voice in a popular form.?/p>

Tyler: Maryann, I visited your website http://www.Chimneystonebooks.com. There you state that Chimneystone抯 philosophy is: 揥e believe there are many readers who hunger for unique fiction with bold ideas, earthy realism, and daring characters who defy convention with imagination and intelligence. These men and women are creators and doers, not tyrants or victims. Armed with their personal values, they follow no philosophy but their own. We feel this reflects the basic spirit of America and Americans.?What inspired you to write these books based upon this philosophy?

Maryann: I began to realize how few romantic books show American business people, schoolteachers, and engineers as the heroes most of them are. I wanted to avoid social class and economic class distinctions in favor of the middle class people in those occupations. There are plenty of books out there written about the poor and the rich.

Tyler: Ayn Rand, who was herself a great believer in the American way of life, stated that a writer needs to create his or her philosophy before writing fiction. Do you feel that is true?

Maryann: I definitely agree with Ayn Rand that each writer needs to decide exactly what he or she believes and why, before sitting down to write for others. She did an excellent job of communicating what she believed. One of the greatest legacies an individual can leave future generations is a book that reveals what that author believed and the reasons for those beliefs. Each of us is a small universe and each time we are given a look into another such universe we learn something useful, sometimes even inspiring.

Tyler: Maryann, tell me a little bit about how Chimneystone books got started. I understand you are not the only author whose books are featured on the website.

Maryann: During the first ten years I wrote, I also pursued agents and publishers. I jumped through all the hoops and was disappointed in my first agent. While I pondered alternatives, we got on the Internet and were impressed with the iUniverse print-on-demand publisher. My husband, Joe, created a beautiful website with his graphics skills and we picked our huge, homemade chimney for the logo. After we were burned out in the firestorm in California, 2003, the chimney was all that was left. Now, it抯 a symbol of both our books and the rebuilding of our place. Joe and I share the philosophy stated on our website. We simply write from different slants. I抦 as proud of his books as I am of my own.

Tyler: What were your biggest influences in your decision to become a writer?

Maryann: Ayn Rand was an inspiration to me because she was the only author of her time who seemed to see American businessmen and engineers as heroes. I also appreciated non-fiction books about inventors and those who led great projects, but I wanted to carry it further by adding romance and a little humor. I believe it抯 time to have fun again when we read novels, even heroic ones. There are plenty of novels that address tragedy, depression, and monsters.

Tyler: On your website, in introducing the purpose of Chimneystone books, it asks the visitor: 揜emember when there were novels with a feeling of discovery and creativity梩he sense that the characters were going to develop something or make it happen??Maryann, would you tell us a little bit about those kinds of novels, which novels you抮e referring to that had that effect on you and for which you are now trying to create equivalents?

Maryann: 揟he Fountainhead?by Ayn Rand and Ernest Gann抯 揃and of Brothers?address the growth and excitement of great men daring to do the very difficult in spite of heavy obstacles and naysayers. I would also add the screenplay written by Nancy Meyers and Charles Shyer, entitled, 揃aby Boom.?That one showed the courage of a woman building a company, on her own.

Tyler: Would you tell us a little bit about the other books you抳e written?

Maryann: My first novel, 揗cGarin抯 AIR,?shows the trials and tribulations of a group of unorthodox high school teachers, led by Ken McGarin. They start a private high school named the 揂cademy of Individual Responsibility.?/p>

The second one, 揃ird Crazy,?tells of a woman who evaluates a helicopter kit company and a flight school for her investor boss. She finds herself studying and practicing to get her helicopter private pilot抯 license and falls in love with her instructor. This one is based on my experience learning to fly the Rotorway helicopter my husband built.

Number three was 揟he Good Life: A Few Years in the Future.?It describes the life and changes for a small-time television star of a half-hour show called 揟he Good Life.?Ursula Mink demonstrates household robots at a time in the future when homes are run by talking computers that cook, clean, and screen your phone calls. Her guest stars are bizarre, her love life is turned upside down, and she decides to opt for a job with a lower profile. However, the new job also has a dangerous enemy as part of the package.

Tyler: And what are you planning to write next?

Maryann: The next novel I plan to publish is called 揊lint.?Onri is a piano tuner and music teacher who moves in with her great aunt. The aunt lives in a farming community in the San Joaquin Valley of California. The aunt introduces Onri to her favorite neighbor, Gordon Flint, who has gradually bought all the farmland in three directions. He turned it into a thriving corporate farm that employs a lot of people. Flint and Onri find themselves drawn into a passionate relationship while a powerful and jealous woman harasses them for having the happiness she desires but cannot have.

Tyler: Maryann, before we go, do you have any final message you would like to give our readers?

Maryann: To anyone reading this I say, when you read a book you like, or even one you disliked, and you feel like sharing your point of view, do it. The Internet provides a brand new avenue for individual expression and this avenue can share your thoughts with the world.

Tyler: Thank you, Maryann. I think more and more readers are using the Internet to express their voice, and going there for opinions that are not necessarily main-stream. Thank you for joining me today, and for providing that opportunity to our readers of hearing an original and thought-provoking voice.

July 30, 2010

Dawn of Empire Written By Sam Barone

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When I started to read Dawn of Empire and saw that it occurred in 3158 BC, and the print was tiny, and the pages were many, I immediately thought that this was another one of those period books that would be boring, too long to get anything from, and would throw it aside after a few pages. This is everything but the actual feeling I obtained when I started reading. WOW! It turns out that this story is very much a part of early history in our world with many names and places added to enrich the story. In reality nothing needed to be added to enrich this story. Sam Barone has a real winner here and I truthfully look forward to read his follow-up book.

Dawn of Empire takes place in areas on and near the Tigress River. Thutmose-sin is a leader of barbarians that plunder the land near and far, attack villages and take all the goods, gold, and slaves they can and then kill the rest and burn those villages. The villages would eventually rebuild and the barbarians would appear again in several years and do the same thing over again to the same villages. They were just as the term describes them-barbarians! The villages they raided were composed of farmers-dirt eaters-they were referred to by the barbarians. These farmers knew nothing of fighting. They only wanted to grow crops and animals for consumption, not be fighters. This made them vulnerable to the barbarian’s brutal attacks.

Eskkar was a barbarian himself, whose family had been in Thutmose-sin’s clan, enters the village of Orak where farmers did their thing and knew not how to fight barbarians. The leader of Orak had taken off with a band of warriors to attack other villages and become their own barbarian group, abandoning Orak. Nicar has taken over the village and is thinking how he can save Orak in the future. Eskkar is still a barbarian at heart when he is asked by Nicar what could be done to save Orak. This started Eskkar’s mind in a different direction from any he had ever taken. Eskkar become one to HELP villagers save their village from the onslaught of the barbarians, becomes Captain of the Guard, and slowly puts his mind to work saving Orak.

In the process of trying to gain the villagers confidence, Eskkar does some things to make enemies among the tribe families that run the village. Nicar sees Eskkar’s dilemma and gives him a recently acquired slave, Trella, who Nicar feels is very smart and much advanced in her thinking, especially for a fourteen-year old girl. Eskkar takes the girl, lives with her, and finds out the broad knowledge she has. Trella gives Eskkar many ideas as to how to proceed with building the defenses of Orak and gaining the trust of the villagers. They eventually fall in love even though Trella is only a slave. All know she is far too wise in her words and actions and many start listening and following her advice.

Eskkar begins the long process of building a defense around the village and changing the surrounding areas into swamps that would make an attack almost impossible. Riders would come into the village and tell of the location of the band of barbarians and in what direction they were headed. Orak villagers were sure they would be attacked within months and worked extremely hard to build their defenses.

Dawn of Empire builds suspense fast as it goes through time with the villagers and the barbarians. When the first attack comes, the village was as prepared as possible to defend itself but would it be enough? The reader will have a hard time stopping to turn off that light at night while reading, but there is always the next day! You will enjoy this adventure that combines history with Sam Barone’s characters in a very moving tale of long ago.

Stones & Bones

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Author Char Matejovsky has partnered up with illustrator Robaire Ream to create an exceptional children’s book that teaches through rhyme and incredibly detailed images. Their focus is to educate young people about the time line of the Earth’s life. I feel the book would be most appropriate for children aged between 5 and 9.

Stones & Bones would appeal to children, classes and families interested in scientific study of history, anthropology, dinosaurs and early man. Stimulating, full-color images challenge the mind and educate at the same time as supplying a sense of comfort through the cozy, family-like scenes. They are so detailed that the more one looks at the illustrations, the more one sees.

The 32-page hard cover book does not have a slipcover, but seems to be of high quality. The pages feel thick and sturdy. It is accompanied by a CD that contains the “stones & Bones Song: The Song of the Meadowlark” performed by the Santa Rosa Children’s Chorus. The pianist was Mark Osten, the lyrics and music were created by Char Matejovsky and it was directed by Carol Menke. With this long list of contributors I came to realize how this book became such a wonderful creation. I certainly appreciated the phonetics glossary at the end of the book. Parents, grandparents and teachers are encouraged to visit the stonesandbonesbook.com website, which they will find is a valuable resource.

I encourage parents to pick up this book for their young ones – it’s never too early to learn. Without hesitation, I rate this book 5 out of 5 stars.

July 29, 2010

The Marble Mask by Archer Mayor

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My main interest in reading Archer Mayor’s “The Marble Mask” was the anticipation of reading a mystery with a solid Vermont setting. My own novels focus on a different state per story and I am unfamiliar with this one. Not many authors write with such pride and love for their states like Mayor or Jean Hager, who has a murder mystery series set in Oklahoma. Sue Henry and Dana Stabenow write Alaskan mysteries. Other authors write about their beloved cities, like Margaret Truman’s Washington, DC books and Martha C. Lawrence’s Elizabeth Chase in her San Diego.

However, I initially felt that “The Marble Mask” may not be an enjoyable read since there were two factors of the book that tend to detract from the story, from my point of view.

The most important aspect is that Mayor writes in first person through the main character Joe Gunther. Frequently it seems that the author is living vicariously through the main character’s adventures, romantic scenes and ultimately becomes the hero solving the mystery. I am not accusing Mr. Mayor of that at all nor am I saying it is a bad thing, but it is something that crosses my mind. (Heck, I even do it sometimes when writing some of my unpublished-for-a-very-good reason stories). Another reason this can become cumbersome is that the story never changes its point of view. It is told solely through the eyes of the main character.

Gunther has plenty of adventures through the course of the “Marble Mask”, from being stranded on a mountain during a fierce blizzard nearly freezing to death, and being lured out in the middle of the night for a clandestine meeting, not one, not twice, but THREE times. One resulted in the murder of the contact, the second the death of his would-be killer and the third resulted in his kidnapping.

The second aspect of the novels like this that make them difficult is the tendency to lag when the initial murder is decades old. In “The Marble Mask” the body of a murdered man, frozen for over fifty years, is found on the mountain above Stowe, Vermont. When Gunther is trying to solve such an old crime, the story has a propensity to slow down and crawl because the mystery goes nowhere for a while. Witnesses alive when the original crime was committed have died or are suffering from the ills of old age; buildings have been torn down; documents and records are extremely difficult to locate if they still exist at all. It is only when the detective starts to get close to the solution and somebody responds with deadly force that the pace of the book speeds up.

Mayor does keep a good clip to the story, but there are times when he gets a little wordy in describing the history and area of this New England state where the story takes place.

However, Mayor’s novel is an entertaining read and I look forward to more of his works. I found his concept of the Vermont Bureau of Investigation very interesting. The VBI is an agency recently formed by the state government, developed to work with all other state agencies, relying on their resources and people, involving everyone in the process and the glory.

It’s an interesting concept, but it did introduce an element of confusion, since the team formed in the story numbered six. This gave the book an over-saturation of main characters. Then the number of suspects continued to grow. Mayor also threw in a couple of peripheral murders, which had little to do with the plot and final solution; just included to introduce a red herring subplot involving the Hells’ Angels and a rival group which never solidified.

Joe Gunther finally figures out the perpetrators of the fifty year-old murder and the ones that occurred during the course of the novel mainly by attrition of the suspects, as the body count rises. The family of the first victim is a Mafia-style clan and their intrigues among themselves, employees, bodyguards, partners in crime and rivals become a confusion of who-did-what-to-whom that the solution is not a surprise or very satisfying as a whodunit.

Finally, the reference to the marble mask in the title in the final few pages of the book is so fleeting, the reader wonders why the book was named for it.

Overall, I did enjoy the book. It had plenty of action with an interesting twist and a pride for the beauty of Vermont.

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